Could it be that the direction one’s gaze drifts, when one begins to think about or ‘reflect’ upon something, is determined by the part of one’s personality involved, or the temperamental drive engaged, in doing so? If so, a trained user of NLP would find other peoples’ eye behaviour very informative, wouldn’t they?
not a lot of people know this
February 28, 2009The secret of every European aristocracy is always that the royal family at its head claims to be of semi-divine jewish descent, but to have to conceal this fact, for fear of the popular reaction were it noised abroad.
more thought control news from france
February 28, 2009French Professor Sacked Over 9/11 Conspiracy Theory
Russia Today via Global Research, Feb 27 2009
An academic in France has been sacked by the Ministry of Defence after questioning the official version of events surrounding the 9/11 attacks. He now reportedly plans to sue the government. Aymeric Chauprade lost his job, allegedly, over the introduction to his latest book about political crises around the world, and more specifically, for suggesting that the 9/11 attacks in New York City and Washington D.C. were an orchestrated “American-Israeli conspiracy”. The Defence Minister had strong objections to the material, so Aymeric had to go. Jean Dominique Merchet, a French journalist, was the first to report on the sacking. Merchet said:
The Ministry of Defence has reacted too brutally. They have transformed Chauprade into a victim, and not an intellectual opponent — even if what he defends is not good.
Chauprade explained his firing by the Ministry of Defence as the result of him speaking about a subject that was considered off-limits:
I touched upon a taboo — the theory of a conspiracy plot. Apparently there is only one possibility in an accidental world. And all the wars have sprung from this — Afghanistan and so on.
The book’s introduction highlights a theory that the twin towers were blown up as part of an American-Israeli pact. Chauprade’s lawyer, Antoine Beauquier, said:
He did scientific work – see, it’s written here, ‘the theories included here are contesting the official theory of Muslim responsibility.’ That’s an opinion!
Defence Minister Herve Morin was reportedly outraged by the suggestions and demanded the academic’s sacking from his job at the French Military College in Paris, where Chauprade was teaching geopolitics. The Ministry has refused to comment on the affair.
renouf vs some zio nabob on BBC radio 4
February 28, 2009BBC Radio 4 interviews Lady Renouf and Lord Janner on the arrival back in Britain of Bishop Williamson: 6MB MP3 file
lust, leftism and nostalgia
February 28, 2009Fuck The Army: Jane Fonda’s anti-war years
Dennis Lim, LA Times, Feb 22 2009
A time capsule of the anti-Vietnam War movement, Fuck The Army is also a vivid flashback to a world-famous movie star’s stint as a political radical. At the peak of her celebrity, which coincided with the dawning of her political consciousness, Jane Fonda abdicated her Hollywood throne and remade herself as the face of the anti-establishment. With government agents and the news media watching her every move, she led a vaudeville troupe on a tour of US military bases in 1971, a trip chronicled in this fascinating documentary, largely unseen since its brief release, and finally available on DVD this week. In the disc’s only extra, a 20-minute interview, Fonda recounts how the project came about. She and Donald Sutherland, her co-star in the 1971 film Klute, were approached by Howard Levy, a doctor who had become an anti-war cause célèbre for refusing to train Green Beret medics. He proposed that they put on a corrective to Bob Hope’s gung-ho USO shows, giving voice not just to the growing peace movement, but to anti-war sentiment within the ranks of the military.
The FTA troupe staged its first shows in the US, with Fonda and Sutherland, who had just played the irreverent Hawkeye in Robert Altman’s M.A.S.H., headlining a company that included Peter Boyle and Howard Hesseman. When it came time to embark on the two-week Pacific Rim tour, Fonda assembled a line-up that stressed racial and gender parity: equal numbers of black, white, male and female performers, including singer Holly Near and comedian Paul Mooney. Fonda, Sutherland and company stopped off in Hawaii, the Philippines, Okinawa and Japan (where they were initially refused entry). Denied permission to perform on US bases, they set up shop in nearby coffee-houses and other venues, although military officials apparently tried to minimize attendance by publicizing incorrect show times. All told, the troupe played 21 shows, which were attended by some 64,000 servicemen and women. Many of the male GIs, Fonda concedes in the interview, must have been anticipating the space-age sex kitten from Barbarella, not the righteous radical who took the stage in jeans and no make-up.
The show mixes protest songs with broad and bawdy skits, taking pot-shots at military chauvinism and top brass privilege. What it lacks in finesse, it makes up for with raucous energy. Directed by Francine Parker, who died in 2007, the documentary alternates between the song-and-dance routines and behind-the-scenes footage of soldiers talking candidly to the troupe members about their frustration and anger at the ongoing war and the US presence in the region. As fate would have it, FTA opened the same week in July 1972 that news broke of Fonda’s trip to Hanoi, where she made radio broadcasts for the North Vietnamese regime, and was photographed sitting on an anti-aircraft gun. Within a week, the distributor, AIP, had pulled the movie from theaters. Fonda’s career went into partial eclipse, and she remains to this day a favorite target of the right.
For years she has distanced herself from her radical past, and FTA, which she co-produced, has been out of circulation for more than three decades. Its recent re-emergence owes much to the efforts of film-maker David Zeiger, who used footage from FTA in Sir! No Sir!, a 2005 documentary about anti-war resistance within the military. This week’s DVD release was preceded by screenings at the American Cinematheque in Los Angeles and the IFC Center in New York, where Fonda appeared as part of a fund-raiser for Iraq Veterans Against the War. The film also screens on the Sundance Channel this week. Two other artifacts of Fonda’s radical period have been issued on DVD in recent years. Steelyard Blues (1973), a slapstick counter-culture comedy that also co-starred Sutherland, was released by Warner Home Video. And Jean-Luc Godard and Jean-Pierre Gorin’s scathing Tout Va Bien (1972), with Fonda as an American journalist caught up in a wild-cat strike at a sausage factory in France, is available from the Criterion Collection.
Posted by niqnaq
Posted by niqnaq
Posted by niqnaq